LETTERS IN FREEDOM. CAP V

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LETTERS IN FREEDOM

FIVE – IN THE EDITING ROOM DARKNESS

The editing room is known as a mysterious and powerful place. Next to the editor and his/her assistants, the director dismantles and upsets the dream, becoming Merlin.
Encounters that the cinema Fate, in its unfathomable project causes, in front of the Moviola enhance themselves becoming friendships lasting a lifetime or a few seasons, or links and old fellowships that can fall apart leaving gloomy resonances. But I do not want to reaffirm something many of you know very well. (more…)

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LETTERS IN FREEDOM. CAP III

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LETTERS IN FREEDOM

THREE – I ADMIT I AM AT A DEAD END

I admit I am at a dead end.

My small project to tell you about the path of a composer – me – from being employed to the end of the composition and recording of a film score, now seems very difficult to me, or greater than my storytelling skills are.

What I mean is that focusing on such a complex and imponderable process such as creation itself, makes me find very it difficult to write about it. My years of educational experiences are not enough to describe such a process, since my direct contact and the time I have spent with composers and sometimes listeners who are not musicians, is different from a written description, of course.

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