LETTERS IN FREEDOM. CAP III

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LETTERS IN FREEDOM

THREE – I ADMIT I AM AT A DEAD END

I admit I am at a dead end.

My small project to tell you about the path of a composer – me – from being employed to the end of the composition and recording of a film score, now seems very difficult to me, or greater than my storytelling skills are.

What I mean is that focusing on such a complex and imponderable process such as creation itself, makes me find very it difficult to write about it. My years of educational experiences are not enough to describe such a process, since my direct contact and the time I have spent with composers and sometimes listeners who are not musicians, is different from a written description, of course.

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WWW.COLONNESONORE.NET – FRANCO PIERSANTI AND MUSIC FOR IMAGES

Franco Piersanti and music for images

Written by Paolo Eustachi. Published in Reportage

15_12_12-Franco Piersanti - Cagliari - photo_Eugenio_Schirru-_MG_6873-2

Reportage del concerto del 20 febbraio 2010 all’Aula Magna per la stagione IUC

A premiere represents – at least for a reporter – a highly emotional moment. The presentation of a new artistic creature is a great event especially if one considers the huge challenges cultural life is confronted with, in particular in our country where everything seems to be overwhelmed by mediocre tv shows daily competing in a pathetical audience challenge and that sadly and (un)explainably are widely covered on the main newspapers.
A premiere can eventually become an unforgettable memory when the listener meets a true and deep music writing, not limited to the simple sound experimentation. Before being seen as a cinema scores specialist, Franco Piersanti is a great classical composer just like his education is deeply “classical”.
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