My 40 years of cinema scores
«Since I have started, 40 years ago, everything has changed. The young who want to be cinema composers have far more chances from a technological perspective, but also more challenges to face: nowadays films have more repertory scores, not only pop ones, and for budget reasons producers are not always willing to invest money on the soundtrack». This is what Franco Piersanti, historic composer for Nanni Moretti’s films, from “Io sono un autarchico” to “Habemus Papam”, but also for Gianni Amelio, Mimmo Calopresti, Daniele Luchetti ones, thinks. After winning three David di Donatello awards (for “Il ladro di bambini”, “Lamerica” and “Il caimano” scores), two Nastri d’Argento (for “Terraferma” and “Io e te”) and seven Ciack d’Oro, Piersanti is a person who cares for the young and teaches his work to many of them. This applies, for instance, to the festival Creuza de Mà (to be continued in Cagliari, on December 7-11 2016) dedicated to music for cinema, where the Masterclass Sergio Miceli has been established and that, in its first edition, has been conducted by Piersanti himself. «At the end of the masterclass, held in November, I have assigned four clips to compose scores for to the masterclass participants»; says Piersanti. «They are submitting their scores: the five best ones will be played by the orchestra at the end of the festival Creuza de Mà». The masterclass is dedicated to Sergio Miceli, «a great musicologist passed away last summer, who has drawn public attention on applied music, placing it in the music of the 20th Century that accompanies the seventh art, cinema».